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Why spend more money for something ridiculously expensive when you can get the best guitar amps under $300?
Peavey Vypyr Edit is a Shareware software in the category Miscellaneous developed by Peavey Electronics. The latest version of Peavey Vypyr Edit is currently unknown. It was initially added to our database on. Peavey Vypyr Edit runs on the following operating systems: Windows. Peavey Vypyr Edit has not been rated by our users yet. Feb 25, 2011 Patch management program for Peavey Vypyr® Amplifiers. The Peavey Vypyr® is one of a new generation of guitar amplifiers that does much more than just amplify the sound from an electric guitar. The Vypyr series of amplifiers are what are commonly referred to as Modeling Amplifiers because thay are able to emulate the sounds and distortion. Editor for Peavey Electronic's Vypyr PRO amplifier.
You don’t have to go for expensive guitar amps to get the necessary thing you need.
We have been able to sort out a great deal of best guitar amps under $300 that can compete in quality and ruggedness with more expensive and bigger ones.
Hopefully, you have a good idea of what to consider when purchasing a new amp.
So take a look at some top quality amps under $300 as we weigh their strength and flaws.
Contents
- Top 4 Best Guitar Amps Under $300:
- What to Look Out For When Buying the Best Guitar Amp Under $300
Top 4 Best Guitar Amps Under $300:
Image | Model | Wattage | Price |
---|---|---|---|
Peavey Vypyr VIP 3 (Top Pick) | 20/40/100 | ||
Marshall MG30CFX (Best for an Electric Guitarist) | 20/30 | ||
Fender Mustang II V2 (Best for Geeks) | 20/40 | ||
BUGERA BC15 (Acoustic Guitars Only!) | 30 |
Peavey Vvpyr VIP 3 Combo Amplifier (Editor’s Choice)
VYPYR VIP is the world’s first amp that contains bass guitar, acoustic guitar, and electric guitar amplifier modules. This amplifier is able to morph from a bass to an acoustic, to an electric amp.
It uses a combination of powerful 32-bit, floating point SHARCH processors and patented Transtube analog circuitry to create reliable sounding modeling amplifiers.
Features
- Peavey Vypyr VIP is a 100W guitar, bass and acoustic amp with a bi-directional USB – Data – Midi – Audio output.
- It has 12 amps accessible stompbox models plus delay reverb.
- With a top notch amp simulation, it guarantees a clean sound than most line 6.
- It has enhanced chromatic tuner, quality headphone output, and 12” speaker for a great sound experience.
- It can give up to 5 effects simultaneously with optional Sanpera I or II.
- Up to 10 instrument models including acoustic guitar simulators, 12 string guitar model, baritone model, electric violin, bass guitar models.
This amp can be used with almost any type of instrument, especially guitar, and guarantee an amazing performance. It delivers both electric and bass amplification with good sound quality. It is highly recommended for a bass or electric guitar player and it gives a nice rock rhythm as well.
Marshall MG30CFX Combo Amplifier
MG30CFX is a reliable combo amp with a programmable feature set using digitally controlled analog functions for precise adjustment of sound. This amp has a control for storing a preferred setting on each mode.
Features
- 30W, good sound combo amp
- Marshall’s innovative FDD (Frequency dependent damping) circuitry gives a good sound depth by using analog tube emulation between an all-tube power amp and the speakers.
- The MG30CFX allows two simultaneous effects. The reverb and one of these four digital effects: chorus, phaser, flanger or delay.
- This guitar amp combo has four channels (clean, crunch, OD1 and OD2). It enables easy switching between channels.
- You can upgrade the rig with a stompware footswitch to switch between channels, foot control of the tap tempo delay, and a built-in tuner.
If you are seeking a combo amp for high gain tube sound, this is an affordable, attractive solution for your amusement. With proper adjustment, you should be able to get a loud and great sound.
Moreover, you could get a nice bluesy tone with proper adjustment of the reverb and other effects. By setting its channels right you should get a convenient sound output.
It is important to note that MG30CFX is an electric guitar amp and you cannot get a good sound from it using an acoustic guitar. Nonetheless, It is a reliable device for an electric guitarist.
Fender Mustang I V2 Guitar Amplifier
The Mustang I V2 amplifier is said to have an incredible fender tone driven by remarkably authentic amp models. The built-in effects, easy USB connectivity, and Fender® FUSE™ software are said to improve your musical creativity.
Features
- Variability of tunes to choose from 17 amp models for a different genre of music.
- Includes Ableton Live Lite 8 fender edition studio recording software compatibility with either MAC or PC to build songs.
- Includes Fender® FUSE™ software which enables you to adjust effects such as reverb, delay/echo, tremolo, phaser and much more.
- 24 effects preset, onboard chromatic tuner, USB connectivity with a good sound output.
- 20W power.
- 1/8 headphone output jack, auxiliary input for MP3 player.
It has nice control with bright LEDs and sturdy buttons. It is a great piece for recording songs using the Ableton Live Lite 8 Fender studio recording software on a PC.
You can use the Fender® FUSE™ software to customize and tweak sounds and share settings between two amps. The high-gain models sustain beautifully even with the master volume barely at a whisper. The headphone sound is every bit as good as the speaker tone.
Research highlighted some limitations of this tube amp. If you are not good with the computer, you will find this amp a bit confusing.
But the ability to play different genres of music, produce good sound and record play makes Fender Mustang I V2 a very good electric guitar amp to get.
Bugera BC15 Guitar Amplifier
Bugera BC15 is a good guitar amp as it delivers real valve tone in a compact, 12-pound combo. This guitar amp comes with a variety of amazing features.
Features
- 15W, dual-channel guitar amp.
- A master volume and 2-channel tube preamp with a wide range gain control for super-fat sounds with a lot of tonal options.
- Gain button to activate lead/distortion channel.
- Custom designed BC15 ports 8” Bugera speaker.
- Extremely versatile amplifier with a hand-selected 12AX7 tube.
- A headphone jack for a private practice session.
- A 1/4 TRS jack for connecting external playback devices such as Mp3 player, tape deck, CD player.
This guitar amplifier is a small but wonderful piece with a vintage design and classic guitar sound. It should be able to give you an amazing sound with the 2-band EQ and mid-shift button. It is ideal for rehearsals, recording and for small gig performance.
If you want to plug a guitar and a microphone together to the BC15, this unit is made for one low-level input. However, if you are using a microphone like the Zoom H4n Handy Recorder, you can connect the guitar directly and feed the Line Output on the Zoom to the CD Input of the Bugera.
This will do what you want, if you have an external device that accepts the microphone, and amplifies it to standard high-level input.
Bugera BC15 is not suitable for electric bass guitar as it might distort the sound or even damage the speaker. It is really a good piece to get for an affordable price as it can meet a specific need.
What to Look Out For When Buying the Best Guitar Amp Under $300
Your choice of the amplifier should be based on the type of music you wish to play. Your local guitar dealer will let you test the different amplifiers they stock. It is advisable you go with your guitar to the shop, to be sure of the amplifier sound when you get home.It is a good idea to visit several dealers including pro-audio outlets to test amplifiers before committing yourself. You can try it and then order the same model at a more affordable price on Amazon ?
It is a good idea to visit several dealers including pro-audio outlets to test amplifiers before committing yourself. You can try it and then order the same model at a more affordable price on Amazon ?
There are generally three types of amps you need to know about when choosing a device.
Tube, Solid State, and Hybrid Amplifiers
Tube amplifiers
Tube amplifiers produce a nice tone that is popular with guitarists. Screenhunter 5 1 free for mac.
- Tube amplifiers are usually more expensive than a solid state amplifier.
- Tubes require a warm-up period before they reach optimum performance.
- A tube is based on vacuum technology and requires more energy than a solid state amplifier with the same wattage.
- Vacuum tubes are expensive and require replacement every one to four years depending on use.
Marshall and Fender are examples of tube amplifiers manufacturer.
Peavey Vypyr Vip 2 Software
Solid State Amplifiers
Solid state circuitry allows more volume to be applied to the output signal before clipping occurs. This makes the amplifiers suitable for jazz or acoustic guitarists who may wish to retain a clean sound at high volumes.
- Solid state amplifiers are available at affordable price range.
- A solid state amplifier requires no warm-up.
- It requires less energy to power than an equivalent tube amplifier.
- Solid state circuitry needs little maintenance and there are no tubes to replace.
- They amplifiers are more robust than tube amplifiers.
Hybrid amplifiers
All amplifiers have a preamp stage which boosts the signal from the guitar and then send it to the power amplifier stage. Hybrid amplifiers are designed to utilize both tube and solid state technology and are available in the following configurations:
- Tube preamp coupled with a solid state power amplifier which outputs a tube tone with a fast attack.
- Solid state preamp coupled with a tube power amplifier that provides solid state high gain with the warmth of tubes.
Wattage Rating
The wattage rating is the maximum volume that an amplifier is designed to output. An amplifier in the 30 to a 50W range is loud enough for band use and home practice. If you are intending to buy a 100W amplifier you will need to consider using a rehearsal studio for practice. The list below outlines possible uses based on the amplifier’s wattage rating.
Solid state amplifiers
- 10-30W – good for home practice.
- 30-50W – for band practice, small club.
- 50-100W – for a large venue.
Tube amplifiers
- 10-20W – for home and band practice.
- 20-30W – for band practice, small to a medium club.
- 30-50W – for small to a medium club.
- 50-100W – extremely loud in confined spaces though diffuse in large halls.
Final Thoughts
Research shows that Peavey Vvpyr VIP offers more functions than any other guitar amp at a very affordable price. Its ability to function with an electric, acoustic and bass guitar and yet produce a rich sound makes it catchy.
With Fender Fuse software, you can change the guitar amp using your computer via USB cable. You can also download beats and backgrounds to play along with which gives it an edge over most devices.
Bugera BC15 and MG30CFX are also among the best guitar amps under $300 and they possess good amplification functions. MG30CFX is good for an electric guitarist.
Related Posts
Hartley Peavey’s now-global business began a lot like many other musical instrument companies that got rolling in the late ’60s and ’70s—a musician with a soldering iron and a knack for electronics applied both to the nascent art of rock ’n’ roll. Unlike a lot of those companies, however, Peavey has always remained steadfastly independent, and even over decades of massive growth, Peavey maintained a focus on affordability while delivering the features and flexibility of more expensive gear. While Peavey has dabbled in many facets of the sound and instrument business over the years (their PA systems are ubiquitous in nightclubs, theaters, airports, and even the U.S. Capitol Building), the company’s bread and butter remains amplifiers. One of the most famous—and desirable—is the ’70s Classic 30, a 30-watt combo amp with a distinctive, bluesy, classic-rock tone derived from a solid-state preamp and 6L6GC power tubes (the current production Classic 30 is all-tube). This amp garnered a following among gigging guitarists and the amp-mod community, which constantly tinkers with the Classic 30’s tone.
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Fast-forward to 2008, when Peavey released cutting-edge modeling software called ReValver mkIII, which let users modify tones not just by tweaking knobs, but also by changing the virtual circuitry of the amp model. The following year, the company introduced the first series of Vypyr amplifiers, which were based on the company’s new TransTube modeling technology. The goal of TransTube, like many other modeling technologies, was to create tube-like tone with natural compression in the power amp, a wide dynamic range, and tube-amp grit.
Now, Peavey has unveiled a second version of the Vypyr line, the VIP series, as well as an optional pair of foot controllers, dubbed Sanpera I and II. VIP stands for Variable Instrument Performance, and it means this latest iteration of the Vypyr line of amps is designed and built to handle electric 6-string, acoustic, and bass guitars. And after plugging in your weapon of choice, you can simply select guitar, bass, or acoustic settings, and the Vypyr will reconfigure and optimize its performance for that instrument. The onboard modeling engine also includes amps that are tweaked specifically for acoustic guitar and bass.
An Amp for Every Season
The Vypyr VIP 2 reviewed here is a member of a three-amp family that includes the VIP 1, VIP 2, and VIP 3 (rated at 20, 40, and 100 watts, respectively). These amps are designed to accommodate stages and studios of every size. Both the VIP 2 and 3 have a 12' speaker while the VIP 1 sports an 8' driver. The cabinet for each model in the series has a ported, semi-closed back designed to extend the low-end range.
The Vypyr VIP 2 reviewed here is a member of a three-amp family that includes the VIP 1, VIP 2, and VIP 3 (rated at 20, 40, and 100 watts, respectively). These amps are designed to accommodate stages and studios of every size. Both the VIP 2 and 3 have a 12' speaker while the VIP 1 sports an 8' driver. The cabinet for each model in the series has a ported, semi-closed back designed to extend the low-end range.
The controls on the back of the amp are basic and simple—just power input, on/off switch, and the Sanpera’s combined data and power MIDI connection. At power up, the LED window on the Sanpera greets you with “Plug in, tune up and rock out!” You’re also treated to a dazzling lightshow from the—no kidding—78 LEDs on the amp’s front control panel. That number of LEDs may seem a bit excessive, but on this amp they are essential for navigating to the effects, amp models, and other features, and selecting and modifying the amp’s sounds. Essentially there’s no menu system to navigate on the Vypyr. That’s a big plus for musicians who favor a simpler control layout.
Apart from the Peavey-related amp models, there are 24 electric guitar amp models in the VIP 2, including 6534, “twin,” “xxx,” “British,” and “butcher” models. The six acoustic amp and six bass amp collections each include a Trace Elliot model (from the Peavey family, of course).
A Trip to the Tone Library
I first explored the Vypyr using a Fender Stratocaster plugged directly into the amp. I pressed the electric guitar button, and spun the amplifier knob to classic (an emulation of the modern all-tube Peavey Classic mentioned earlier). Each electric guitar amp model on the Vypyr has three virtual channels, clean, crunch, and lead. These channels are accessed by pressing the amp selection knob and are indicated by a change in the LED color from green, to orange, to red—so far, so easy.
I first explored the Vypyr using a Fender Stratocaster plugged directly into the amp. I pressed the electric guitar button, and spun the amplifier knob to classic (an emulation of the modern all-tube Peavey Classic mentioned earlier). Each electric guitar amp model on the Vypyr has three virtual channels, clean, crunch, and lead. These channels are accessed by pressing the amp selection knob and are indicated by a change in the LED color from green, to orange, to red—so far, so easy.
The Vypyr’s TransTube engine pretty easily belted out solid approximations of the Classic’s tone. There was sparkle to spare in clean mode and a very tube-like sense of pick dynamics, and the amp was very responsive to pickup changes. Its dynamic range is obviously not as pronounced as what you’d hear from a handwired, all-tube combo amp, but at $200, it’s impressive and fairly natural. Each of the Vypyr’s amp channels offers adjustment to the pre-gain, lows, mids, highs, and post-gain settings. And turning up the pre-gain on the Classic’s clean setting produces an articulate overdrive tone with plenty of spank and range for picking nuance. The Classic’s crunch channel can sound a bit harsh with bright single-coils, but dialing back the treble controls on my instrument took care of the harshest overtones and helped give the amp a gritty, sustain- and harmonic-rich distortion.
The original Peavey Classic was never intended to be a big crunchy rock ’n’ roll amp, but the Peavey 6505, which was inspired by Eddie Van Halen’s 5150 signature model, excels at these heavy tones and it’s the foundation for the 6505 model on the Vypyr 2. The 6505 model matched up well with my Gibson SG’s humbuckers and the sound was bubbly, blistering, and retained dynamic response when you rolled back the pre-gain. And like most of the other models on the Vypyr 2, the 6505 responds much like a tube amp when you roll back your instrument’s volume control.
Essentially there’s no menu system to navigate on the Vypyr. That’s a big plus for musicians who favor a simpler control layout.
The Teachings of Budda
Peavey aligned with boutique amp company Budda in 2008, and the insights they gained are apparent even in the Budda model included in the Vypyr. The Budda setting packs a big low-mid punch, making it excellent for in-your-face blues soloing, as well as intricate jazz noodling. This Budda model was my favorite amp model on the Vypyr, due in large part to the dynamic range and full-bodied tone. A lot of modeling software tends to struggle with those two very important characteristics, but the Vypyr 2 nails it here in a manner that belies the amp’s price.
Peavey aligned with boutique amp company Budda in 2008, and the insights they gained are apparent even in the Budda model included in the Vypyr. The Budda setting packs a big low-mid punch, making it excellent for in-your-face blues soloing, as well as intricate jazz noodling. This Budda model was my favorite amp model on the Vypyr, due in large part to the dynamic range and full-bodied tone. A lot of modeling software tends to struggle with those two very important characteristics, but the Vypyr 2 nails it here in a manner that belies the amp’s price.
Modeling software brings enormous versatility, and it can be a challenge to make an amp simple to operate. One of the most important breakthroughs with the Vypyr VIP series is the incredibly intuitive control layout. When I bought my first smartphone, an Apple iPhone 4, I was surprised to find no included user manual. With the Vypyr VIP 2, it feels like Peavey took a page from Steve Jobs’ book of minimalism and intuitive operation when they designed the front panel. Your instrument selection determines the amp model selection, which is tweaked with a few tone adjustments (they typically sound great all at noon), and you select your effects by spinning a few lighted rotary knobs. The tuner, effects editing, and basic mixing control are all available within a push and a spin of those same rotary knobs.
Ratings
Pros: Low price. Lightweight design. Easy-to-navigate models and effects. Made for electric, bass, and acoustic guitar.
Cons: Feedback can be a problem at high gain or volume (there’s no noise gate). Lacks the lows you’d expect from an amp marketed for bass.
Ease of Use:
Build/Design:
Value:
Street: $199
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Effects Aplenty
In addition to the well-executed standard effects like phaser, flange, reverb, delay, octaver, tremolo, chorus, and envelope filter, there are also some off-the-wall effects. Synth mode turns your guitar into a cheesy-sounding lead synth, but it tracks the instrument’s pitch exceptionally well. You can also make your electric guitar sound like an acoustic, a 12-string, a 7-string, a sitar, or a bowed violin-like instrument. These models can all be combined with each of the amp models, as well as the previously mentioned effects.
In addition to the well-executed standard effects like phaser, flange, reverb, delay, octaver, tremolo, chorus, and envelope filter, there are also some off-the-wall effects. Synth mode turns your guitar into a cheesy-sounding lead synth, but it tracks the instrument’s pitch exceptionally well. You can also make your electric guitar sound like an acoustic, a 12-string, a 7-string, a sitar, or a bowed violin-like instrument. These models can all be combined with each of the amp models, as well as the previously mentioned effects.
Sanpera—Far Beyond Steppin’
With the accompanying Sanpera foot controller you can access a looper setting. Typescript abstract property. What’s really cool about a looper effect with a multi-instrument modeling amp is that you can lay down a bass line with a bass amp model, and then perform guitar solos over that with a guitar amp model. The Sanpera’s II dual expression pedals are assignable, so you can use them for wah-wah and volume effects, but also for controlling parameters such as the speed of a tremolo effect. The numerous stomp switches let you toggle effects in your virtual effects chain like you would on a typical pedalboard.
With the accompanying Sanpera foot controller you can access a looper setting. Typescript abstract property. What’s really cool about a looper effect with a multi-instrument modeling amp is that you can lay down a bass line with a bass amp model, and then perform guitar solos over that with a guitar amp model. The Sanpera’s II dual expression pedals are assignable, so you can use them for wah-wah and volume effects, but also for controlling parameters such as the speed of a tremolo effect. The numerous stomp switches let you toggle effects in your virtual effects chain like you would on a typical pedalboard.
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The Verdict
If asked what I would expect to pay for something like the Vypyr VIP 2, my honest guess would be about 400 bucks. So I was pleasantly surprised to find the street price was half that. As a guitar amp alone, this device has a ton of value. It’s versatile, the models are convincing, the controls are intuitive, and the lightweight chassis makes it a good practice amp or small stage combo. The additional bass and acoustic inputs, as well as their accompanying amp models, make the VIP 2 even more versatile to anyone who likes to practice and write with more than just a 6-string electric. If you’re looking for a fun and simple modeling amp with easy controls and a wealth of effects at an insanely nice price, I’d strongly suggest taking Peavey’s new Vypyr VIP series for a spin.
If asked what I would expect to pay for something like the Vypyr VIP 2, my honest guess would be about 400 bucks. So I was pleasantly surprised to find the street price was half that. As a guitar amp alone, this device has a ton of value. It’s versatile, the models are convincing, the controls are intuitive, and the lightweight chassis makes it a good practice amp or small stage combo. The additional bass and acoustic inputs, as well as their accompanying amp models, make the VIP 2 even more versatile to anyone who likes to practice and write with more than just a 6-string electric. If you’re looking for a fun and simple modeling amp with easy controls and a wealth of effects at an insanely nice price, I’d strongly suggest taking Peavey’s new Vypyr VIP series for a spin.
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